For Martin Kusej's last production at the Burgtheater, a ruined a fire ruin was recreated in the decoration workshops according to designs by Annette Murschetz.

In March 2024, "The Lady of the Camellias" celebrated its premiere at the Vienna State Opera.
The ballet, choreographed by John Neumeier and designed by theatre legend Jürgen Rose is a veritable firework display of perfectly staged details. As early as 1978, Rose created his vision of The Lady of the Camellias for Stuttgart. We had the honour of recreating the costumes and sets for Vienna.
A veritable frenzy of fabric, colour and tulle Every last detail of the elaborate costumes was worked out together with the "master", coordinated and made according to original designs - a challenging yet fulfilling task for our colleagues in the workshops.

In March 2024, "The Lady of the Camellias" celebrated its premiere at the Vienna State Opera.
The ballet, choreographed by John Neumeier and designed by theatre legend Jürgen Rose, is a veritable firework of perfectly staged details. Rose created his vision of The Lady of the Camellias for Stuttgart back in 1978. We had the honour of recreating the costumes and set design for Vienna.
A veritable frenzy of fabric, colour and tulle Every last detail of the elaborate set pieces was worked out together with the "master", coordinated and made according to original designs - a challenging yet fulfilling task for our colleagues in the workshops.

For Kafka's "Metamorphosis" in the Akademietheater, oversized frock coats in garish orange-red were tailored according to designs by Victoria Behr. A hand puppet was dressed to match. The rest of the costumes are also kept in garish colours to match the stage design.

On 2 March 2024, "The Merry Widow" celebrated its premiere at the Volksoper Vienna. The stage design by Julia Hansen followed the classic set design: wooden constructions on metal scaffolding, planked with cassettes and papered with beautiful theatre painting.

For A Midsummer Night's Dream, a large shipping container was built and given a vintage makeover by our decorative painters. The play premiered at the Burgtheater on 3 September 2023.

Für die Ausstellung „Showbiz Made in Vienna. Die Marischkas“ im Theatermuseum Wien haben wir anhand einer alten Fotografie ein Kostüm in Form des Wiener Stephansdoms rekonstruiert. Beteiligt waren sowohl unsere Dekorationswerkstätten (Unterkonstruktion), also auch unsere Kostümwerkstätten (Schneiderei, Kostümmalerei und Modisterei).

Carl Millöcker's operetta tells the story of the social rise of the working-class girl Jeanne Beçu to become the wealthy mistress of Louis XV. Director Jan Philipp Gloger staged a journey through time spanning four centuries for the Volksoper Wien, from the present day to the France of Louis XV. Set designer Christof Hetzer created lavish rococo-style decorations for the second part. Carpenters and painters created a large salon with high partitions, illusion paintings and deep-drawn ornaments, framed in an oversized picture frame.

In addition to dismantling the entire old end, the project also included the installation of new drives such as brochure hoists, heavy-duty hoists, panorama hoists, zero-aisle hoists, backstage hoists and point hoists as well as a veil hoist and a portal screen hoist. In addition, the entire electronic control system, including all control consoles, was brought up to the latest state of the art and adapted to the safety standards of modern stage control systems.

As part of the refurbishment, a new lighting concept was implemented by the company Pokorny. This made the new management of the building on Währinger Gürtel visible to the outside world. Energy-saving LEDs were used for the lighting. At the end of August, the Volksoper was illuminated for the first time in a delicate pinkish violet, emphasising the new dynamic lettering on the façade on the Gürtel side, in keeping with the new CI of the theatre under its designated director Lotte de Beer.